lCark Gable was born in Cadiz, Ohio to William Henry "Will" Gable, an oil-well driller,[2][3] and Adeline (née Hershelman). He was named "William" after his father, while "Clark" was the maiden name of his maternal grandmother. In childhood he was almost always called "Clark"; some friends called him "Clarkie", "Billy", or "Gabe".[4] He was mistakenly listed as a female on his birth certificate.

When he was six months old, his ill mother had him baptized Catholic. She died when he was ten months old,[citation needed] possibly from a brain tumor. Following her death, Gable's father's family refused to raise him as a Catholic, provoking enmity with his mother's side of the family. The dispute was resolved when his father's family agreed to allow Gable to spend time with his uncle, Charles Hershelman, and his wife on their farm in Vernon, Pennsylvania.

In April 1903, Gable's father married Jennie Dunlap, whose family came from the small neighboring town of Hopedale. Gable was a tall, shy child with a loud voice. After his father purchased some land and built a house, the new family settled in. Jennie played the piano and gave her stepson lessons at home; later he took up brass instruments. She raised Gable to be well-dressed and well-groomed; he stood out from the other kids. Gable was very mechanically inclined and loved to strip down and repair cars with his father. At thirteen, he was the only boy in the men's town band. Even though his father insisted on Gable doing "manly" things, like hunting and hard physical work, Gable loved language. Among trusted company, he would recite Shakespeare, particularly the sonnets. Will Gable did agree to buy a seventy-two volume set of The World's Greatest Literature to improve his son's education, but claimed he never saw his son use it.[5]

In 1917, when Gable was in high school, his father had financial difficulties. Will decided to settle his debts and try his hand at farming and the family moved to Ravenna, just outside of Akron. Gable had trouble settling down in the area. Despite his father's insistence that he work the farm, Gable soon left to work in Akron's B.F. Goodrich tire factory.[citation needed]

At seventeen, Gable was inspired to be an actor after seeing the play The Bird of Paradise, but he was not able to make a real start until he turned 21 and inherited some money. By then, his stepmother Jennie had died and his father moved to Tulsa to go back to the oil business. He toured in stock companies as well as working the oil fields and as a horse manager. Gable found work with several second-class theater companies and thus made his way across the Midwest to Portland, Oregon, where he then took work as a necktie salesman in the Meier & Frank department store. While there, he met Laura Hope Crews, a stage and film actress, who encouraged him to return to the stage and into another theater company. Many years later, Crews would play "Aunt Pittypat" in Gable's most famous film, Gone With the Wind (1939).

His acting coach was a theater manager in Portland named Josephine Dillon, who was 17 years his senior. She paid to have his teeth repaired and his hair styled. She guided him in building up his chronically undernourished body, and taught him better body control and posture. She spent considerable time training his naturally high-pitched voice, which Gable slowly managed to lower, and to gain better resonance and tone. As his speech habits improved, Gable's facial expressions became more natural and convincing. After the long period of rigorous training, Dillon eventually considered him ready to attempt a film career.[6]

Career

Stage and silent films

In 1924, with Dillon's financial aid, the two went to Hollywood, where she became his manager—and first wife. He changed his stage name from W. C. Gable to Clark Gable.[7] He found work as an extra in such silent films as Erich von Stroheim's The Merry Widow (1925), The Plastic Age (1925), which starred Clara Bow, and Forbidden Paradise, plus a series of two-reel comedies called The Pacemakers. He also appeared as a bit player in a series of shorts. However, Gable was not offered any major roles and so he returned to the stage. He became lifelong friends with Lionel Barrymore, who in spite of his bawling Gable out for amateurish acting initially, urged Gable to pursue a career on stage.[8] During the 1927-28 theater season, Gable acted with the Laskin Brothers Stock Company in Houston, where he played many roles, gained considerable experience and became a local matinee idol. Gable then moved to New York and Dillon sought work for him on Broadway. He received good reviews in Machinal; "He's young, vigorous and brutally masculine", wrote the critic at the Morning Telegraph.[9] The start of the Great Depression and the beginning of talking pictures caused a cancellation of many plays in the 1929-30 season and acting work became harder to get.

Early successes

In 1930, after his impressive appearance as the seething and desperate character Killer Mears in the Los Angeles stage production of The Last Mile, Gable was offered a contract with MGM. His first role in a sound picture was as the unshaven villain in a low-budget William Boyd western called The Painted Desert (1931). He received a lot of fan mail as a result of his powerful voice and appearance; the studio took notice. (Robert Mitchum had an identical experience when he played an unshaven villain in a Boyd cowboy film a decade later).

In 1930, Gable and Josephine Dillon were divorced. A few days later, he married Texas socialite Maria Franklin Prentiss Lucas Langham, nicknamed "Ria". After moving to California, they were married again in 1931, possibly due to differences in state legal requirements.

"His ears are too big and he looks like an ape", said Warner Bros. executive Darryl F. Zanuck about Clark Gable after testing him for the lead in Warner's gangster drama Little Caesar (1931).[10] The same year, in Night Nurse, Gable played a villainous chauffeur who was gradually starving two adorable little girls to death, then knocked Barbara Stanwyck's character unconscious with his fist, a supporting role originally slated for James Cagney until the release of The Public Enemy abruptly made Cagney a leading man. After several failed screen tests for Barrymore and Zanuck, Gable was signed in 1930 by MGM's Irving Thalberg. He became a client of well-connected agent Minna Wallis, sister of producer Hal Wallis and very close friend of Norma Shearer. Gable's timing in arriving in Hollywood was excellent, as MGM was looking to expand its stable of male stars and he fit the bill. Gable first worked mainly in supporting roles, often as the villain. He made two pictures in 1931 with Wallace Beery, a minor role in The Secret Six, then with his part increasing in size to almost match Beery's in the naval aviation film Hell Divers. MGM's publicity manager Howard Strickland developed Gable's studio image, playing up his he-man experiences and his 'lumberjack in evening clothes' persona.[citation needed]

To bolster his rocketing popularity, MGM frequently paired him with well-established female stars. Joan Crawford asked for him as her co-star in Dance, Fools, Dance (1931). He built his fame and public visibility in such movies as A Free Soul (1931), in which he played a gangster who shoved the character played by Norma Shearer (Gable never played a supporting role again). The Hollywood Reporter wrote "A star in the making has been made, one that, to our reckoning, will outdraw every other star... Never have we seen audiences work themselves into such enthusiasm as when Clark Gable walks on the screen".[11] He followed that with Susan Lenox (Her Fall and Rise) (1931) with Greta Garbo, and Possessed (1931), in which he and Crawford (then married to Douglas Fairbanks, Jr.) steamed up the screen. Adela Rogers St. John later dubbed Gable and Crawford's real-life relationship as "the affair that nearly burned Hollywood down".[12] Louis B. Mayer threatened to terminate both their contracts, and for a while they kept apart. Gable shifted his attentions to Marion Davies. On the other hand, Gable and Garbo disliked each other. She thought he was a wooden actor while he considered her a snob.

Rising star

Gable was considered for the role of Tarzan but lost out to Johnny Weissmuller's better physique and superior swimming prowess. However Gable's unshaven lovemaking with braless Jean Harlow in Red Dust (1932) soon made him MGM's most important male star. After the hit Hold Your Man (1933), MGM recognized the goldmine of the Gable-Harlow pairing, putting them in two more films, China Seas (1935; with Gable and Harlow billed above Wallace Beery) and Wife vs. Secretary (1936). An enormously popular combination, on-screen and off-screen, Gable and Jean Harlow made six films together, the most notable being Red Dust (1932) and Saratoga (1937). Harlow died during production of Saratoga. Ninety percent completed, the remaining scenes were filmed with long shots or the use of doubles like Mary Dees; Gable would say that he felt as if he was "in the arms of a ghost".[13]

According to legend, Gable was lent to Columbia Pictures, then considered a second-rate operation, as punishment for refusing roles; however, this has been refuted by more recent biographies. MGM did not have a project ready for Gable and was paying him $2000 per week, under his contract, to do nothing. Studio head Louis B. Mayer lent him to Columbia for $2500 per week, making a $500 per week profit.[4]

Gable was not the first choice to play the lead role of Peter Warne in It Happened One Night (1934). Robert Montgomery was originally offered the role, but he felt that the script was poor.[14] Filming began in a tense atmosphere,[4] but both Gable and Frank Capra enjoyed making the movie, although Colbert reportedly did not. Gable and Colbert won the Academy Award for Best Actor and Best Actress for their performances in the film and the movie itself won the Academy Award for Best Picture. He returned to MGM a bigger star than ever.[15]

As Fletcher Christian in the trailer for Mutiny on the Bounty (1935)

The unpublished memoirs of animator Friz Freleng mention that this was one of his favorite films. It has been claimed that it helped inspire the cartoon character Bugs Bunny. Four things in the film may have coalesced to create Bugs: the personality of a minor character, Oscar Shapely and his penchant for referring to Gable's character as "Doc", an imaginary character named "Bugs Dooley" that Gable's character uses to frighten Shapely, and most of all, a scene in which Clark Gable eats carrots while talking quickly with his mouth full, as Bugs does.[16]

Gable also earned an Academy Award nomination when he portrayed Fletcher Christian in 1935's Mutiny on the Bounty.

Gone with the Wind

Despite his reluctance to play the role, Gable is best known for his performance in Gone with the Wind (1939), which earned him an Academy Award nomination for Best Actor. Carole Lombard may have been the first to suggest that he play Rhett Butler (and she play Scarlett) when she bought him a copy of the bestseller, which he refused to read.[17]

As Rhett Butler in the trailer for Gone with the Wind (1939)

Butler's last line in Gone with the Wind, "Frankly, my dear, I don't give a damn", is one of the most famous lines in movie industry history.[18]

William Clark Gable (February 1, 1901 – November 16, 1960), known as Clark Gable, was an American film actor most famous for his role as Rhett Butler in the 1939 Civil War epic film Gone with the Wind, in which he starred with Vivien Leigh. His performance earned him his third nomination for the Academy Award for Best Actor; he won for It Happened One Night (1934) and was also nominated for Mutiny on the Bounty (1935). Later movies included Run Silent, Run Deep, a submarine war film, and his final film, The Misfits (1961), which paired Gable with Marilyn Monroe, also in her last screen appearance. In 1999, the American Film Institute named Gable seventh among the greatest male stars of all time.[1] He was nick-named 'The King of Hollywood.'

Gable appeared opposite some of the most popular actresses of the time.


Joan Crawford, who was his favorite actress to work with,[2] was partnered with Gable in eight films,

Myrna Loy worked with him seven times, and he was paired with Jean Harlow in six productions.


He also starred with Lana Turner in four features, and with Norma Shearer and Ava Gardner in three each.

In the mid-1930s, Gable was often named the top male movie star, and second only to the top box-office draw of all, Shirley Temple.

Gone with the Wind is a 1939 American historical epic film adapted from Margaret Mitchell's Pulitzer-winning 1936 novel of the same name. It was produced by David O. Selznick and directed by Victor Fleming from a screenplay by Sidney Howard. Set in the 19th-century American South, the film stars Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland, and Hattie McDaniel, among others, and tells a story of the American Civil War and Reconstruction era from a white Southern point of view.

The film received ten Academy Awards (eight competitive, two honorary), a record that stood for 20 years[1] until Ben-Hur surpassed it in 1960.[2] In the American Film Institute's inaugural Top 100 Best American Films of All Time list of 1998, it was ranked fourth, and in 1989 was selected to be preserved by the National Film Registry.[3] The film was the longest American sound film made up to that time – 3 hours 44 minutes, plus a 15-minute intermission – and was among the first of the major films shot in color (Technicolor), winning the first Academy Award for Best Cinematography in the category for color films. It became the highest-grossing film of all-time shortly after its release, holding the position until 1966. After adjusting for inflation, it has still earned more than any other film in box office history.





The picture on my book case is from Micheal Welch my brother to me . Gone With The Wind my favorite book and movie . I brought Terri M undo to see it used only play at the shows every few years released . My grandmother Elvyn brought me to the show when I was 3 or 4 to see with her . I all way remember that .


Her favorite movie . That her favorite star Clark Gable ! Mine The BOOK ! And Capt-ins and Kings by Taylor Caldwell my favorite writer

Die in a plane crash raising money bonds for the US GOV Carole Lombert from Illinois

Marriage to Carole Lombard

With Carole Lombard after their honeymoon, 1939

Gable's marriage in 1939 to his third wife, actress Carole Lombard (1908–1942), was the happiest period of his personal life. He was involved in a bar fight around this time and lost. As an independent actress, her annual income exceeded his studio salary until Gone with the Wind brought them to rough parity.[29] From their marriage, she gained personal stability that she had lacked, and he thrived being around her with her youthful, charming, and frank personality. Lombard went hunting and fishing with Gable, and he became more sociable around her. Most of the time, she tolerated his philandering ways. He one or more times stated, "You can trust that little screwball with your life or your hopes or your weaknesses, and she wouldn't even know how to think about letting you down."[30] The Gables purchased a ranch at Encino, California, and once Gable had become accustomed to Lombard's often blunt way of expressing herself, they found that they had much in common, despite Gable being a conservative Republican and Lombard a liberal Democrat. Their efforts to have a baby were unsuccessful. Lombard got pregnant once in 1940, but she suffered a miscarriage.

On January 16, 1942, Lombard was a passenger on Trans-World Airlines Flight 3. She had just finished her 57th movie, To Be or Not to Be, and was on her way home from a successful war bond selling tour when the flight's DC-3 airliner crashed into a mountain near Las Vegas, Nevada, killing all aboard, including Lombard, her mother, and her MGM staff publicist Otto Winkler (who had been the best man at Gable's wedding to Lombard). Gable flew to the crash site, and he saw the forest fire that had been ignited by the burning airliner. Lombard was declared to be the first war-related American female casualty of World War II, and Gable received a personal condolence note from President Roosevelt. The Civil Aeronautics Board investigation into the crash concluded that "pilot error" was its cause.[31]

Gable returned to his and Lombard's empty house, and a month later, he returned to the studio to work with Lana Turner in the movie, Somewhere I'll Find You. Gable was devastated by the tragic death of his wife for many months afterwards, and he began to drink heavily, but carried out his performances professionally on the movie sets. Gable was seen to break down for the first time in public when Lombard's funeral request note was given to him. He resided for the rest of his life at the home in Encino which he and Lombard had purchased. He acted in twenty-seven more movies, and re-married two more times. "But he was never the same", said Esther Williams. "His heart sank a bit."[32]

[edit] World War II

Clark Gable with 8th AF B-17 in Britain, 1943
For details of Gable's combat missions, see RAF Polebrook

In 1942, following Lombard's death, Gable joined the U.S. Army Air Corps. Lombard had suggested that Gable enlist as part of the war effort, but MGM was reluctant to let him go, and he resisted the suggestion. Gable made a public statement after Lombard's death that prompted Commanding General of the Army Air Forces Henry H. Arnold to offer Gable a "special assignment" in aerial gunnery. Gable had earlier expressed an interest in officer candidate school (OCS), but he enlisted on August 12, 1942, with the intention of becoming an enlisted gunner on an air crew. MGM arranged for his studio friend, cinematographer Andrew McIntyre, to enlist with and accompany him through training.[33]

However, shortly after his enlistment, he and McIntyre were sent to Miami Beach, Florida, where they entered USAAF OCS Class 42-E on August 17, 1942. Both completed training on October 28, 1942, c

Tara Vivian Leigh Bio -Polar Disorder died very ill



Tara

Brian The Bar Priest
King OF Kings






( See Captain and Kings not nice to MM see Maryland , Navy

It was the Winner of 10 Academy Awards. (8 regular, 1 honorary, 1 technical).[49]

Award Result Winner
Best Picture Won Selznick International Pictures (David O. Selznick, Producer)
Best Director Won Victor Fleming
Best Actor Nominated Clark Gable
Winner was Robert DonatGoodbye, Mr. Chips
Best Actress Won Vivien Leigh
Best Adapted Screenplay Won Sidney Howard
Awarded posthumously
Best Supporting Actress Won Hattie McDaniel
Received a miniature "Oscar" statuette on a plaque
Best Supporting Actress Nominated Olivia de Havilland
Winner was Hattie McDaniel
Best Cinematography, Color Won Ernest Haller and Ray Rennahan
This received the "Oscar" statuette
Best Film Editing Won Hal C. Kern and James E. Newcom
Received a miniature "Oscar" statuette on a plaque, replaced with a regular statuette in 1962
Best Art Direction Won Lyle Wheeler
Best Visual Effects Nominated Fred Albin (Sound), Jack Cosgrove (Photographic), and Arthur Johns (Sound)
Winners were Fred Sersen (Photographic) and E. H. Hansen (Sound) – The Rains Came
Best Music, Original Score Nominated Max Steiner
Winner was Herbert StothartThe Wizard of Oz
Best Sound Recording Nominated Thomas T. Moulton (Samuel Goldwyn Studio Sound Department)
Winner was Bernard B. Brown (Universal Studio Sound Department) – When Tomorrow Comes
Award Recipient
Irving G. Thalberg Award David O. Selznick
For his career achievements as a producer.
Honorary Award William Cameron Menzies (Miniature "Oscar" statuette on a plaque)[50]
For outstanding achievement in the use of color for the enhancement of dramatic mood in the production of Gone with the Wind.
Technical Achievement Award Don Musgrave and Selznick International Pictures (Certificate)
For pioneering in the use of coordinated equipment in the production Gone with the Wind.


American Film Institute Lists


Thursday, October 11, 2012




ett Butler is a fictional character and one of the main protagonists of Gone with the Wind by Margaret Mitchell.

Contents

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Role

In the beginning of the novel, we first meet Rhett at the Twelve Oaks Plantation barbecue, the home of John Wilkes and his son Ashley and daughters Honey and India Wilkes. The novel describes Rhett as "a visitor from Charleston"; a black sheep, who was expelled from West Point and is not received by any family with reputation in the whole of Charleston, and perhaps all of South Carolina. Rhett's enthrallment with Scarlett O'Hara begins when he overhears her declaration of love for Ashley in the library while the rest of the "proper" girls take a nap. He recognizes that she is willful and spirited and that they are alike in many ways, including their disgust for the impending, and later ongoing, war with the Yankees.
They meet again when Scarlett has already lost her first husband, Charles Hamilton, while she is staying with Charles' sister Melanie and their Aunt Pittypat in Atlanta during the war. Rhett, the daring and infamous blockade runner, creates a stir when he outbids (with $150 in gold) ($3,880 as of 2012)[1] the other gentlemen in order to dance with Scarlett, who is in mourning. Rhett seemingly ruins Scarlett's reputation after this very public display of frivolity and Scarlett's father, Gerald O'Hara, comes to speak to Rhett and to take Scarlett back to Tara. However, Rhett gets Gerald drunk and they come to terms. Gerald returns to Tara and Scarlett remains in Atlanta.
As the Yankees advance towards Atlanta, Scarlett stays behind to help deliver Melanie's baby and then must depend on Rhett to get them out of the city. Scarlett sends her maid Prissy to find Rhett, and when he comes to Aunt Pitty's, he has stolen a horse and buggy in order to "rescue" them. Once they have fled Atlanta, Rhett—in a single moment of perverse idealism—joins the withdrawing Confederate soldiers for their last stand against General Sherman. Before he leaves, Rhett asks that Scarlett kiss him. She refuses, but he hauls her in—she slaps him and tells him that she hopes he gets killed while in battle. He laughs, and turns into the dark, leaving Scarlett alone with Melanie, Beau, her own young son Wade, and Prissy.
Several months later, Scarlett returns to Atlanta, this time to solicit money from Rhett to save Tara from foreclosure, only to learn from Aunt Pitty that he is in military jail, imprisoned by the Yankees for stealing the Confederate gold. Scarlett waltzes in, supposedly horrified that Rhett's life is in danger, all the while maneuvering him to give her money for the plantation. When Rhett sees through her ploy, he laughs in her face and Scarlett attacks him, causing her to faint. After regaining consciousness, she storms out.
On her way back to Aunt Pittypat's she meets Frank Kennedy, her sister Suellen's beau. Learning that Frank has done very well for himself, she plies him with affection, falsely tells him that Suellen is tired of waiting and plans to marry someone else, and finally secures a marriage proposal from him, which she accepts. Once Frank is married to her, he could not possibly allow his wife's kinfolk to be evicted from Tara, so he provides her with the $300 ($4,762 as of 2012)[1] which she needs to pay the taxes on Tara.
Two weeks later, Scarlett is shocked when she sees Rhett while she is running Frank's store, free from the Yankees and amused that she has rushed into yet another marriage with a man she does not love, much less the fact that she stole him right out from under her sister's nose.
Frank Kennedy is killed during a Ku Klux Klan raid on the shanty town after Scarlett is attacked. Rhett saves Ashley Wilkes and several others by alibiing them to the Yankee captain, a man with whom he has played cards on several occasions.
While Scarlett is in mourning following Frank's death, Rhett appears and offers a marriage proposal promising to give her everything. Scarlett accepts only for Rhett's money. In the novel, Rhett's fortune is estimated at $500,000 ($7,936,364 as of 2012)[1] Rhett secretly hopes that Scarlett will eventually return the love he's had since the day he saw her at Twelve Oaks. Her continuing affection for Ashley Wilkes becomes a problem for the couple, however.
When their daughter, Bonnie, falls off a pony and dies, the tragedy causes a rift between the two which is impossible to bridge. Rhett eventually leaves because he knows he has to get away from Scarlett. Her confession of love is something that Rhett seems to have expected from the moment he first saw her breathless face when she rushes to him. He knows that Scarlett could never be happy with Ashley and when she discovers that, he does not want to be around when she throws her obsession onto him.
When he finally receives Scarlett's love, it is too late to salvage the love he once had for her, so he leaves her with his famous parting shot: "My dear, I don't give a damn." It has since been immortalized in film in an altered version: "Frankly, my dear, I don't give a damn."

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Character

In the course of the novel, Rhett becomes increasingly enamored with Scarlett's sheer will to survive in the chaos surrounding the war. The novel contains several pieces of information about him that do not appear in the film. After being disowned by his family (mainly by his father), he became a professional gambler, and at one point was involved in the California Gold Rush, where he ended up getting a scar on his stomach in a knife fight. He seems to love his mother and his sister Rosemary, but has an adversarial relationship with his father which is never resolved. He also has a younger brother who is never named, and a sister-in-law (both of whom he has little respect or regard for), who own a rice plantation. Rhett is the guardian of a little boy who attends boarding school in New Orleans; it is speculated among readers that this boy is Belle Watling's son (whom Belle mentions briefly to Melanie), and perhaps Rhett's illegitimate son as well.
Despite being thrown out of West Point, the Rhett of the novel is obviously very well-educated, referencing everything from Shakespeare to classical history to German philosophy. He has an understanding of human nature that the obtuse Scarlett never does, and at several points provides insightful perspectives on other characters. He also has an extensive knowledge of women, both physically and psychologically, which Scarlett does not consider to be "decent" (but nonetheless considers fascinating). Rhett has tremendous respect and (gradually) affection for Melanie as a friend, but very little for Ashley. Rhett's understanding of human nature extends to children as well, and he is a much better parent to Scarlett's children from her previous marriages than she is herself; he has a particular affinity with her son Wade, even before Wade is his stepson. When Bonnie is born Rhett showers her with the attention that Scarlett will no longer allow him to give to her and is a devoted, even doting and overindulgent, father.
Rhett decides to join in the Southern cause, but unlike his fellow Confederate, Ashley Wilkes, he is not spiritually paralyzed by the South's loss.
In the sequels − both in official sequels (Scarlett, written by Alexandra Ripley, and Rhett Butler's People, written by Donald McCaig) and in the unofficial Winds of Tara by Kate Pinotti − Scarlett finally succeeds in getting Rhett back.

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Searching for Rhett

In the 1939 film version of Gone with the Wind, for the role of Rhett Butler, Clark Gable was an almost immediate favorite for both the public and producer David O. Selznick (except for Gable himself). But as Selznick had no male stars under long-term contract, he needed to go through the process of negotiating to borrow an actor from another studio. Gary Cooper was thus Selznick's first choice, because Cooper's contract with Samuel Goldwyn involved a common distribution company, United Artists, with which Selznick had an eight-picture deal. However, Goldwyn remained noncommittal in negotiations.[2] Warner Bros. offered a package of Bette Davis, Errol Flynn, and Olivia de Havilland for the lead roles in return for the distribution rights. When Gary Cooper turned down the role for Rhett Butler, he was passionately against it. He is quoted saying, "Gone With The Wind is going to be the biggest flop in Hollywood history. I’m glad it’ll be Clark Gable who’s falling flat on his nose, not Gary Cooper".[3][4] But by then Selznick was determined to get Clark Gable, and eventually found a way to borrow him from Metro-Goldwyn-Mayer. Selznick's father-in-law, MGM chief Louis B. Mayer, offered in May 1938 to fund half of the movie's budget in return for a powerful package: 50% of the profits would go to MGM, the movie's distribution would be credited to MGM's parent company, Loew's, Inc., and Loew's would receive 15 percent of the movie's gross income. Selznick accepted this offer in August, and Gable was cast. But the arrangement to release through MGM meant delaying the start of production until Selznick International completed its eight-picture contract with United Artists. Gable was reluctant to play the role. At the time, he was wary of potentially disappointing a public who had formed a clear impression of the character that he might not necessarily convey in his performance.

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Adaptations and sequels

In the 1939 film adaptation, Rhett was played by Clark Gable.
In the Scarlett TV mini-series produced in 1994 (based on the above sequel novel), Rhett was played by Timothy Dalton.
In the musical production by Takarazuka Revue, Rhett had been played by several top stars of the group, including Yuki Amami (currently a film/TV actress), Yu Todoroki (currently one of the directors of the group) and Youka Wao (former leading male role of the Cosmo Troup that retired from the group in July 2006).
In the Margaret Martin musical Gone With The Wind, the role of Rhett Butler was originated by Darius Danesh.
Alice Randall's The Wind Done Gone is either a parallel historical novel, or (after litigation) a parody. It is told from the slave point of view.
Donald McCaig's novel Rhett Butler's People is told from Rhett Butler's perspective.

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  Family

Rhett is the eldest child. In Gone with the Wind only his younger sister Rosemary is named; his brother and sister-in-law are mentioned very briefly, but not by name. In the sequel Scarlett, the Butler parents are called Steven and Eleanor, the younger brother is Ross. In this sequel Rhett marries Anne Hampton after divorcing Scarlett and he reunites with Scarlett only after Anne dies. He and Scarlett have a second daughter called Katie "Cat".
In the prequel and sequel Rhett Butler's People his parents are called Langston and Elizabeth, his brother is Julian. In this novel Belle Watling's son plays an important role; in the end he is revealed to be another man's son even though he believed Rhett was his father.

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 References

  1. ^ a b c Staff. Consumer Price Index (estimate) 1800–2012. Federal Reserve Bank of Minneapolis. Retrieved February 22, 2012.
  2. ^ Selznick, David O. (2000). Memo from David O. Selznick. New York: Modern Library. pp. 172–173. ISBN 0-375-75531-4. 
  3. ^ GoneMovie -> Biography Gary Cooper
  4. ^ Paul Donnelley (June 1, 2003). Fade To Black: A Book Of Movie Obituaries, 2nd Edition. Omnibus Press.

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